Filming began in 1981, following on from director Henry Chalfant’s
documentation of the early New York hip-hop and graffiti scene (best
demonstrated in his and Martha Cooper’s ‘Subway Art’ book – something we’ll return to later on Trashfilter). Chalfant linked up with Tony Silver and between them they filmed and collated over 30 hours of raw footage. The formative era of b-boying, with Rock Steady and the Dynamic Rockers is captured, but it’s the interviews with the graf writers that makes this so essential to me.
If you’ve ever picked up a can of paint or a marker, you owe it to yourself to study the film in full. The now-legendary clips of Skeme and his mother, the exploits of Seen and Duster, the wars with Cap and the MPC crew, Min One and Iz laying it down… It’s still just as invigorating to watch now as it was back in the ‘80s.
Documentaries come and go over the years and there have certainly been some fantastic efforts when it comes to documenting hip-hop culture. But nothing has knocked ‘Style Wars’ from its well-deserved pedestal.
Henry Chalfant and Tony Silver were forward-thinking enough to start
cataloguing and recording the pioneering days of a worldwide phenomenom that will outlive all of us today. As an open-eyed 8 year old, I couldn’t
necessarily relate to what I was seeing on the screen at the time, but I knew I wanted to find out more. Channel 4’s infamous screening one Christmas in the UK was carefully dubbed and shared until an official VHS release of ‘Style Wars’ appeared in the early 1990s. I made do with that copy until the
excellent reissue on DVD courtesy of Plexifilm in 2003. And now there are rumours of an HD version being created if funding can be found.
The excellent Style Wars website, designed and built by the legendary Mare 139 (who also features prominently in the film) was the first graffiti-themed website I’d seen where the design was as carefully considered as the content: the pieces and photos look great on there.
Tony Silver sadly passed away in 2008, but his name will live with future generations through his work on Style Wars. Henry Chalfant is still very much around, often attending exhibitions and shows, proving that he’s very much ingrained within the threads of hip-hop. His photographic partner Martha Cooper is also still shooting and writing, as her own ‘Hip Hop Files’ book will attest.
I had the opportunity to see some of Henry’s original prints (and sit down to a big screen showing of ‘Style Wars’) when in Paris for the ‘Born In The Streets’ exhibition. Judging by the crowd, the
magnetism won’t ever end.
Make sure you take some time to watch the film, whether you’re fully immersed in hip-hop or just have
the yearning to see a well-made and intelligent portrayal of one of the most exciting subcultures to have ever emerged.
Filed Under: Features